Resources For Poets & Writers

writing.gif (809 bytes)

Markets
Journals, magazines, ezines, agents, and other publishers of literature

Improve Your Writing
Online writing workshops, discussion forums, grammar help, and writers' publications

Warnings
Potential publishing scams

Writer's Rights
Definition of rights (first, reprint, one-time, etc.) and copyright information

Print on Demand
Resources for learning about the use of POD technology to publish your book

Other Writers' Resources
Postage rates, advice on getting published, etc.

Suggest a Site
Submit information on a website you'd like to see listed here

Please report broken links or corrections to ssburris@cox.net.


These resources are brought to you by Ancient Paths Literary Magazine

[ Ancient Paths Website Contents | Editor's Website ]



Suggest A Site

If the site you wish to include is a publication seeking submissions or a website listing markets, please see the instructions on the markets page.  For all other resources, please e-mail the following information to ssburris@cox.net:

Appropriate sites will be listed free of charge.  All links subject to approval.  I reserve the right to edit or abbreviate your site description, or to reject any submission for any reason. 


Back to Top



Improve Your Writing

Editorial Services: Let the editor of Ancient Paths edit your manuscript for grammar, spelling, word choice, and style.

An online Rhyming Dictionary will prove a handy reference for traditional poets. The site also includes a thesaurus.

Grammar and Usage Resources (aids for the technical improvement of your writing):   Guide to Grammar and Writing | Common Errors in English

Writing Workshops and Discussion Forums: Cayuse Press | Albany Poetry Workshop | AbsoluteWrite | Writer's Net | Today's Woman

Poets and Writers Magazine provides information and advice.  You can also use the publication to find markets currently seeking submissions.


Back to Top


Warnings

Unfair Markets / Fee Demands / Scams

Very few markets can afford to pay writers (especially poets), but you should expect to get a free copy of the publication in which your work appears. Markets that require reading fees or that do not provide published authors with a free copy of the publication are (if not actually scams) unfair to writers.

Be suspicious of all anthologies that do not offer you a free copy upon publication, as anthologies are more often the perpetrators of publishing scams.   The most famous anthology money-making operation is The (Inter)National Library of Poetry.  The (Inter)National Library of Poetry is so infamous, that humorist Dave Barry has even written a column about the organization's acceptance of his intentionally bad poetry.  

Anthologies/Publishers to avoid:  International Library of Poetry ~ National Library of Poetry ~ poetry.com ~ poets.com ~ Watermark Press ~ International Society of Poets ~ International Poetry Hall of Fame ~ Illiad Press                                            

What about fees for contests? Most contest prizes are funded out of the fee money, so fees are necessary.  Fees cover prizes, publication, and the cost of operating the contest.  A good question to ask yourself is: what percentage of the fees are given back as prize money? If the percentage is extremely low, the contest may be a scam.   Also consider: who are the judges? Are they qualified? Is a reputable organization or publication backing the contest? Don’t waste your money entering a contest unless you think you run a decent chance of winning.

Some anthologies hold "free" contests, but then solicit every entrant, asking each to purchase an expensive anthology in which their poetry is published, or suggesting they buy a plaque to frame their "honorable mention." Others even hold award ceremonies—but you have to pay to get there. Be wary of such outfits.

See Preditors & Editors. This site will keep you abreast of scams and predators. (And yes, the misspelling is deliberate.)


Back to Top



Other Resources

POSTAGE RATES---

It is generally best to use First-Class mail for submissions. Do not use Priority Mail unless your submission is over the weight limit for First-Class mail. If you are submitting large manuscripts for consideration, you may want to consider using the "media mail" rate.  Write "Media Mail" under the postage area.  See the USPS website for current rates. Media Mail takes longer than First-Class mail.

It is possible to obtain an IRC (International Reply Coupon) from major post offices.  This coupon may be enclosed with your SAE when submitting to foreign countries.  Publishers may then exchange the coupon for first-class postage to send you a reply.  Some publishers will allow writers to enclose a $1 U.S. bill for return postage instead.  Check with the individual market for its policy. I have found IRC's difficult to deal with, and I no longer accept them. Many post offices don't know what to do with them, and some simply refuse to accept them.

For additional information on postage rates, see the following websites:

The United States Postal Service
The postal calculators (domestic and international) available on this site are a great resource to find out exactly how much it will cost you to send off your submissions, particularly if your are writing to foreign markets.    You can also order stamps straight from the site and save a trip to the post office. 

Postage Rates Worldwide
Do you live outside the U.S.? Use this website to find information on international rates.

HOW TO GET PUBLISHED--

"The Top Ten Pet Peeves of Literary Magazine Editors"
Avoid these faux pas for an edge.

"How to Publish Your Poetry"
This article offers advice on breaking in to the literary magazine market.


Back to Top



Writer's Rights

COPYRIGHT INFORMATION--

Should you copyright your work? Technically, you already own the copyright to your work the moment you set it down on paper.  However, should your work be stolen, it may be difficult to prove your ownership without a registered copyright.  But registration can be expensive--$30 a work.  You can save some money by registering several poems or short stories under one title for $30. 

Visit the The U.S. Copyright Office for more information on copyrights.

DEFINITION OF RIGHTS--

This chart will provide an overview of the type of rights most commonly purchased. 

Type of Right Do I own the rights after publication? Can the work have been previously published?
First  Rights YES NO
First North American Rights YES NO in North America;
YES in another country
Second Rights / Reprint Rights YES YES
One-Time Rights YES YES, but ONLY IF the publisher accepts previously published works
All Rights NO YES, but ONLY IF the publisher accepts previously published works

Some publications may request additional rights, such as non-exclusive electronic rights, which would allow them to publish your work online.  Be aware that many publications do not consider previously published works, so you may want to "reserve" your best poems for the best markets.

To test your knowledge of rights and copyrights, take the Writer's Rights quiz I contributed to FunTrivia.  The self-scoring quiz will open in a separate window, which you may close to return here.


Back to Top



Print on Demand

POD means print-on-demand.  It is a technology that can be used by traditional publishers, sefl-publishers, subsidy publishers, and vanity publishers.  It merely means that your books are printed up one at a time as they are ordered (rather than mass printed and warehoused).  Most publishers you encounter online offering POD services are vanity publishers, which means you have to pay a set-up fee for the publication of your book, and you are then paid royalties on the basis of sales.  Authors who have a book they wish to market to a niche audience may find vanity POD worthwhile, especially if the market is large enough to enable you to turn a small profit but small enough to make your book unattractive to traditional publishers. 

Proceed with caution, however, when considering these types of POD markets, and make sure you understand the terms of the contract, the royalties, what your cover price will be, and any set-up costs. Some PODs will not charge any set-up fees, but then they will set an egregiously high price for your book, or they will tell you that printing costs are higher than they actually are.   You need to compare your bottom line.  When all is said and done, how much of the cover price will you receive from each sale of your book?  Just because there is no set-up fee doesn't mean you are getting a better deal.  Be sure to consider all significant factors and do your research before choosing a POD.

Below is a list of useful books and websites that will help you to learn more about POD.

How to Choose a POD Publisher
An article offering advice on choosing the right POD for you.

The ABC's of POD
A Guide to Print on Demand publishing and publishers.

POD Discussion Forum
A place where you can discuss individual POD publishers and read what others have to say.

Publish On Demand Net
Reviews and ratings of seventeen POD publishers.

Guide to Printing on Demand
This comprehensive guide to the latest in printing technology reviews and compares several print on demand publishers.

Other Ways Into Print
A discussion on Writers.net about self-publishing and POD publishing.

POD-DY Mouth
A fascinating blog about the POD world, maintained by a midlister, with POD reviews. It is now defunct, but you can read back posts.


Back to Top